Hey!

 
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Hey!

 

My name is Skye.

 

Born to a book loving feminist and outdoorsy pediatrician in the suburbs of the San Fransisco Bay Area, I grew up singing to the ocean, performing in plays, and pouring my heart out through angsty poetry about beauty standards.

Sixteen and already disillusioned with the social politics of casting at my high school, I produced my first ever event, a variety show featuring students across social groups that raised money for underfunded non-profits. As that teenager, I discovered and fell in love with experimental theater and storytelling as a tool for social impact.

I moved to New York City in 2008 to continue that study at NYU. I also earned a dual degree in Psychology, thinking I might want to be a therapist. I like people, and I love creating space for healing, but ultimately it was theater that opened the door to my desired exploration of messy, emotional truths. 

I spent the last decade and change in New York helping make a lot of different shit happen. I began writing, directing, and producing theatrical work focused on telling stories about women and gender non-conforming people which became my company Exploding Knot. I performed poetry at salons and sang my original music in bars. I spent time learning from people I admired. I directed new-work through non traditional processes for a number of mission aligned playwrights and toured work across the world as an associate director. I organized artistic and political educational events and managed venues during everything from concerts, to conferences, to weddings. I led teams at arts organizations where I creatively and administratively supported other artists, created programming, and revamped policies to cultivate equity and inclusivity. 

All the while, there was a growing sensation in my gut that was restraining my voice as a self-proclaimed feminist artist. I was after a sense of lineage, and some understanding of  “feminism” or what “womanhood” meant to me. In 2018 I enrolled in a Master’s Program for Women’s and Gender History at Sarah Lawrence. I emerged in 2020 with more questions than I began with, and an unrelenting drive to help reimagine our world by asking how the one we have was constructed in the first place. After graduating I served as a project manager for LGTBQ+ focused DEI firm Collaborate Consulting and as the communications manager for Vonetta Young Advisors, and equity focused financial consulting firm. I am currently the Co-Director of JACK in Clinton Hill, Brooklyn furthering a mission to connect with adventurous artists and our neighbors to bring about a more just and vibrant society.

In my spare time, I enjoy spending time by water and in trees, running, practicing martial arts and connecting with friends.

Emilyn in Tennessee grinning on a hike. She is seated on rocks with a landscape of waterfalls and sky behind her.
 
 

Values

  • Ground all work in liberatory, sensuous joy.

  • Challenge binaries - Embrace intersections, messiness, and multiple truths at once. 

  • Speak from experience - I am a white, middle-class, able-bodied, queer, cis assumed non-binary femme and I speak and operate from that positionality, that power, and that privilege.

  • Our liberation is inextricably intertwined. 

  • Lead with humility and be accountable for impact. 

  • Move at the speed of intentional choice.

These values are ways that I practice showing up in my work.
I do so imperfectly and with constant revision.

 

Roots & Influences

My practice draws from different modalities and weaves genres because of the incredible thinkers and creators that I have been lucky enough to study with and learn from.

Some of these include:
Mary Dillard, Lyde Sizer, and the faculty at Sarah Lawrence, SLM Dances, Young Jean Lee, Big Dance Theater, Elevator Repair Service, Theater Mitu, Lama Theater Company, Mary Conway, Labyrinth Theater Company, The TEAM, Mondo Bizzaro, Shotgun Players, FoolsFURY, Rosemary Quinn, Kevin Kulke, Tina Shepard and the faculty at NYU Experimental Theater Wing.

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Press

Audience members who resist ... may still find themselves in awe by the end, when the darkness is illuminated by a constellation of stars and a luminous choir of earth angels. She and her team understand very well that the most persuasive religions have usually had an element of high theater.
Ben Brantley for The New York Times
Emilyn Kowaleski and Sagan Chen, in collaboration with Uptown Works, showed the poem-film Our Heroine, a mythic re-writing of the all-too-familiar story of femme silence. Text unfurled across faces radiant with multi-hued light. Mouths opened to spill secrets of creation and destruction. Luminous orbs replaced tongues as they spoke their truths. Here was a powerful vision: legend-makers for a new world.
Dot Armstrong for CultureBot
Director Emilyn Kowaleski’s interpretation is thorough and nuanced, exploring both the characters’ larger than life ridiculousness and their vulnerability.... The Witch of St. Elmora Street is a comedy that has the power to tear your heart apart before you have a chance to escape its charm.
Ran Xia for Theater is Easy
Animal Wisdom emerges as a moving meditation on mortality, love, faith, ritual, the power of music, the wisdom of the superstitious gesture, and the insufficiency of the intellect alone to help us navigate the mysteries, terrors, joys, and sorrows of life.
Adam Green for Vogue